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"Haunting and memorable... subtle and brilliant. The most thoughtful and compelling science fiction film of the year." -Robert J. Sawyer, Hugo and Nebula Award-winning writer of FlashForward "The stunning noir style of Sin City but with a hell of a lot more brains and class. A mesmerizing and sexy head trip." "James Kerwin offers up a magnetic force, not just for the questions posed that must be considered and argued over and analyzed according to ourselves, but also in Kipleigh Brown. Chase Masterson is astounding... from sultry chanteuse to haunting spirit. The performances are intertwined tightly with the expert cinematography by Jason Cochard, the evocative, moody jazz-infused score by Kristopher Carter, the costumes by Sara Curran, and atmospheric production design by Jill Kerwin. There is brilliance here that demonstrates the best of what independent filmmakers strive to do." "Fresh and stylish... a tale of intrigue and metaphysical darkness. Well worth seeing." "This ambitious film from writer/director Kerwin is a stunner, nothing less than the arrival of a major filmmaker. Masterson and Brown bring the sexy, even as their conversations conjure up some brain-busting ideas." "Conceptually ambitious, [with] stunning black-and-white cinematography, a sultry jazz score and a refreshingly high-minded script. Kerwin and Cochard arrive at the genuine HD equivalent of the classical Hollywood aesthetic." "Genius... beautifully orchestrated and sequenced. YESTERDAY WAS A LIE is the perfect antidote to today's neverending slew of Hollywood romantic comedies. Kerwin has done an excellent job in challenging viewers with a precise, intricate plot. The whole thing works because of the hard work of the small cast and the stunning visuals. Shot after shot is more beautiful than the last. Highly recommended for those who appreciate a good, dark portrayal of the human psyche. Be warned: it won't hold your hand." "A cinematic masterpiece. One of the best films I have seen this year, if not this decade. Brown performs with grace and spirit... strong... feminine... sexy." "The most complex and thought-engendering time travel movie in a long time. Dense and entertaining. Watch it more than once... it's worth the effort." "A genuine treat that both entices and rewards on multiple levels. Worth watching simply for Brown and Masterson... these two together make seeking this movie out entirely worth it. Kerwin deserves much love and respect... Such a wonderful outing for a filmmaker that finally does take a risk in a landscape of directors who play it safe." "Donnie Darko meets film noir, with a heavy dash of Lost, Kiss Me Deadly, and pretty much anything from David Lynch. A cult gem waiting to be found." "YESTERDAY WAS A LIE offers distinct visual flair and no small amount of intrigue. Masterson's chemistry with Brown is really something special. The real star, though, may be writer/director Kerwin. Somewhere between a requiem to a lost love and a metaphysical poem, LIE is unquestionably the work of an auteur. Rarely do you come across such a modest production so balanced in heart, soul and mind, not to mention a sizable amount of style. YESTERDAY WAS A LIE absolutely delivers." "Smart, gutsy, and glamorous. The stunning visuals and accompanying jazz music take the film to a whole new level. Brown and Masterson are wonderful. Like no other noir or science fiction film ever made." "A brilliantly
executed independent film. YESTERDAY WAS A LIE is a soulful and thought-provoking metaphysical journey." "Where else can you see an old school film noir mystery, an extremely strong female lead, and explorations of quantum mechanics and the human heart? That's a rare and unique combination indeed, and in the hands of a talented writer/director and a believable cast, it's all the stronger as a result. The visuals are sharp... the black-and-white palette adds an additional depth of character and clarity rarely brought out in films today. YESTERDAY WAS A LIE makes you think, and that's a very good thing... something we don't get in today's era of dumbed-down moviemaking. It's a shame big-budget movies aren't made like this." "Kerwin bravely mashes up genre conventions and styles to create his unique vision — imagine mixing The Big Sleep with The Matrix. Thoughtfully produced and long on visual style." "One of the most intellectual and intriguing independent films in years. You'll get something out of this film each time you watch it — and I will be watching it again. The music, cinematography, lighting, character physicalities and performances all get mixed together beautifully. The digital picture has a perfect softness for black-and-white, and with how beautiful the lead ladies are, you end up appreciating the lack of color. The result is mesmerizing." "Very much worth watching by the SF fan looking for an interesting and challenging film experience. The actors [are] attractive and engaging, and the photography is outstanding." "An independently produced gem... the film oozes with beautiful characters and fantastic performances by Brown and Masterson. If you haven't seen it yet, I suggest you get a copy, stat. I also suggest you keep an eye on Kerwin and this bunch. They mean trouble." "Stylish... sultry... stunning." "Take a cast with enviable experience, add it to the mysterious ambiance of film noir, then swirl it together with a visionary writer/director and you are bound to get one outstanding film. YESTERDAY WAS A LIE is akin to the impact of poetry on the human soul. It is a film to be savored... swirled around the palate like a fragrant glass of wine." "A movie that's a lot deeper than any synopsis can accurately describe. It captures the noir style amazingly well and has an incredibly intellectual story to tell. Definitely worth picking up, [and] worth watching twice." "A lush, moody neo-noir. Masterson melded her producer side with her actor side in a thoroughly effective way." "A movie of intelligence [and] imagination. YESTERDAY WAS A LIE has both festival acclaim and sci-fi street cred." "A super-cool modern indie noir. Stylishly shot [with a] clever script... Definitely worth checking out." "Boy, was this worth the wait. Absolutely awesome camerawork... beautiful women... great soundtrack... fantastic production values. Quite an experience." "Lost Highway meets X-Files. There's just something about a movie that's so different and mysteriously odd that I can't refuse. A remarkable score... beautifully strategic lighting that becomes its own character." "Moody... ultra-stylish... a twisty universe of mystery and metaphysics. Tops on the must-see list." "I've seen this flick three times. And each time I see it, it gets better." br>
"Very rarely does a film effectively combine contrasting genres with an engaging plot, all the while challenging the audience to think. An engaging and multi-dimensional viewing experience. It is incredible how much is jam packed into the 1.5 hour film, which leaves us begging for more at the end." "Every shot is gorgeous. YESTERDAY WAS A LIE has everything." "Masterson has an engaging screen presence. Beautifully produced... Easily one of the more rewarding genre films." "This unique, black-and-white neo-noir distaff thriller is a wonder to behold. Highly recommended." "Kerwin conveys his singular vision regarding the transcendental nature of love and regret. Newton brings a welcome gravity to his scenes with Brown. Masterson absolutely nails the part... seductive and secretive in equal measure." "Stunningly shot... complexly plotted... a brave choice. The soundtrack is a total winner. Masterson delivers the goods whenever she's on screen; her voice is excellent." "Clever and engaging... Beautifully shot and designed." "Brown exudes
Bacall. Boldly filmed in black and white, the Kristopher Carter musical
score Kerwin deftly uses only adds to the surreal atmosphere." "A profound, marvelously intertwined story. This is what indie films are all about." |
