Friday - August 15, 2008
A quick Q&A with Kipleigh Brown
Ken Hulsey, Monster Island News: What first attracted you to the film Yesterday Was a Lie?
Kipleigh: Well, I have always been drawn to the dark and moody alleyways of noir, as well as the flashing, fluorescently lit corridors of science fantasy. So when I first read the script I was immediately fascinated. Add to that a strong and complex female lead... indeed I was absolutely smitten. Yesterday Was a Lie is such a beautifully crafted piece of work. The metaphysical angle alone has me running thought marathons.
MIN: Many fans may not know that you have made quite a name for yourself as a sketch comedian, both writing for and performing in "Big News" in Hollywood. Many great comedians have made the transition to dramatic actor almost seamlessly. How does working with comedic material prepare you for dramatic roles?
KB: Aw shucks, I’m not quite sure that I’ve made a "name" for myself (unless my nickname of "Is-That-Your-Real-Name... No, Seriously?" counts). Otherwise technically speaking, I don't do stand-up comedy with "Big News," since we are an awesome ensemble-driven sketch show, newly written and performed every week at the uber-sheik-Paris-Hilton-vaguely-aware-of iO West on Hollywood Boulevard. As for the transition from comedy to drama, truthfully, I have always done both. I started out with drama, which was when the acting bug bit me (and that was one messed-up looking insect let me tell you). From there, as any good teenager will, I experimented with other things, including comedy. I have been duplicitous ever since. So this really isn't a transition. Instead it is a hopeful melding of everything I have learned thus far.
MIN: In your portrayal of Hoyle in Yesterday Was a Lie do you get to showcase your comedic talent or are you limited to playing it straight?
KB: Well, to me, Hoyle is such a complicated role. Playing her is like taming a lion. The minute I think I have her down and get cocky, I'm liable to lose an extremity. So I'm not looking to showcase anything. Rather I want to create a three-dimensional human being, and humor is a fundamental part of us. In Hoyle's case it is a somewhat sly and wry sense of wit, on the opposite end of the spectrum from the more boisterous world of sketch. So I have to trade in my rubber chicken for a subtler, precision-aligned set of comedic tools. Hopefully I will do this incredible script justice, or I may just have to eat my fedora...